Mr. Nobody still

Mr. Nobody (2009)

What editions are available?

  • Theatrical Cut (137 min.)
  • Extended Director’s Cut (156 min.)

Jaco Van Dormael’s Sci-Fi drama Mr. Nobody starring Jaret Leto was released in an extended director’s cut on DVD and Blu-ray in 2014. The Blu-ray release includes both the theatrical cut and the extended director’s cut. CraveOnline interviewed Van Dormael in 2013 where the interview started with the question of there were any longer cuts of the film:

CraveOnline: Have there been any cuts or alternate versions for the U.S. release?
Jaco Van Dormael: The original version which is something like 20 minutes more will be on VOD and on DVD too. It’s a little shorter for the theaters because of the length. Some people prefer the short version, some people prefer the long version. I prefer, of course, the director’s cut because I am the director.

Source: Exclusive Interview: Jaco Van Dormael on Mr. Nobody, CraveOnline

The director’s preferred edition: Extended Director’s Cut

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The Great Raid (2005)

What editions are available?

  • Theatrical Cut (133 min.)
  • Unrated Director’s Cut (131 min.)

The 2005 WWII film The Great Raid was released on DVD and Blu-ray in the US as an exclusive unrated director’s cut. The Canadian newspaper Pilipino Express interviewed director John Dahl in 2006 where he states the following:

Pilipino Express: Some of the scenes with Margaret Utinsky and the Filipino underground resistance movement were in the theatrical release but they weren’t included in your Director’s Cut on DVD. (They can still be viewed in the DVD’s supplementary material). Why was that?

John Dahl: I always liked those scenes, but felt like they slowed down the story. The studio liked those scenes because they felt the audience would relate to Margaret. There is nothing really wrong with the theatrical version, I just prefer the Director’s Cut. It feels a little less contrived to me. The shootout in Manila and the Rizal Bridge were kind of “Hollywood Action Movie Scenes,” which I didn’t feel the movie needed. I never really saw it as an action film, more a straight-out drama with some action at the end of the film.

Source: An interview with Great Raid director, John Dahl, Pilipino Express

The director’s preferred edition: Unrated Director’s Cut

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Live Free or Die Hard / Die Hard 4.0 (2007)

What editions are available?

  • Theatrical Cut (128 min.)
  • Unrated (128 min.)

Live Free or Die Hard or Die Hard 4.0 or simply Die Hard 4 is as the titles vaguely indicate is the fourth Die Hard movie. The relentlessly bloody and profanity filled adventures of John McClane have been the popular franchise trademarks. But in 2007 the franchise strayed from its trademarks and even managed to skip the ever classic line “yippee ki-yay, motherfucker” due to the simple fact that Die Hard 4 was rated PG-13. There are two cuts of Die Hard 4 available: the PG-13 rated theatrical cut and an unrated cut. The difference in length is minimal (unrated is only 8 seconds longer than the theatrical cut) but the unrated cut adds computer generated blood and a different dialog that has strong language.

Film Ireland interviewed director Len Wiseman where he talked about the PG-13 rating and how he lost the ratings fight with the studio:

“The director also admitted his disappointment at how the studio censored that film. ‘I shot a rated R movie,’ he insisted, and referenced the ‘Harder’ cut available on DVD. ‘I had no idea it was going to be PG-13; that came in halfway through the process. And I gotta tell you as a fan I felt like ‘I’m gonna walk.’ If they it PG-13! You know Bruce was really up in arms about it and everything. But in the end it was the most expensive Die Hard. It was also my first studio film, so I lost that battle over the rating. I’m not big on doing the cartoon gore. But McClane is McClane, so that’s really why I was glad to get that (the extended cut) out.’”

Source: Interview: Len Wiseman, director of ‘Total Recall’, Film Ireland

The director’s preferred edition: Unrated Cut

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Elektra (2005)

What editions are available?

  • Theatrical Cut (97 min.)
  • Director’s Cut (100 min.)

Two years after 20th Century Fox botched the popular superhero Daredevil with its 2003 outing they made a spin-off starring Jennifer Garner as Elektra. Not unlike the Ben Affleck starrier DaredevilElektra was slayed by critics (10% on Rotten Tomatoes). The same year that Elektra was premiered an director’s cut of the film was released on DVD. The director’s cut is widely available on Blu-ray and DVD. IGN interviewed director Rob Bowman about the director’s cut and his approach:

IGN: After readying the theatrical version, it seems like, comparatively, making the Director’s Cut was a low-pressure situation. Was that the case?
Rob Bowman: With the Director’s Cut, there was absolutely no pressure. There was nothing. I didn’t have to consult with anybody. This was sort of a gift from the studio to me, just saying ‘Go make it.’ I was the one who decided to re-do it, and re-create sound-effects and all the music in various parts. I never ever spoke to the studio about anything.

Source: Interview: Rob Bowman, IGN

Earlier in the interview Bowman states:

“And this time we took the time to really get it right. I can say, is the best version we can deliver.”

Source: Interview: Rob Bowman, IGN

The director’s preferred edition: Director’s Cut

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The Chronicles of Riddick (2004)

What editions are available?

  • Theatrical Cut (119 min.)
  • Unrated Director’s Cut (134 min.)

The Vin Diesel sci-fi action flick The Chronicles of Riddick was released in an unrated director’s cut on DVD in 2004. Riddick, played by Diesel, has a large fan base and since then all three Riddick films (Pitch Black, The Chronicles of Riddick, Riddick) have been released in alternative cuts on home video. The Blu-ray release of The Chronicles of Riddick includes both the theatrical cut and the unrated director’s cut. IGN interviewed director David Twohy when the unrated director’s cut was released on DVD:

IGN DVD: Ok I’ll ask the silly question: why didn’t you make this the theatrical cut?
David Twohy:  It’s not a silly question, it’s a good question. I think there was a philosophy at the time that if you’re coming out in the summer marketplace that you have to be nimble-
IGN: You had to be PG-13, in other words?
David Twohy: Well no, we had to be PG-13 but that doesn’t necessarily dictate length. We had to be PG-13 from the beginning for the theatrical release. We knew that, I agreed to that, Vin agreed to that. That’s the current post-Columbine climate of the studios. We understood that. But in terms of being under two hours, there was a feeling you had to be nimble in the summer marketplace. There was a feeling that only the quick would survive in a summer marketplace, where attention spans are thought to be short. So right or wrong, that was the philosophy that prevailed. But now we can take our time with things and we can present a fuller, richer experience, and here it is in the unrated version, and I think it’s the stronger version of the movie.

Source: An interview with David Twohy, IGN

The director’s preferred edition: Unrated Director’s Cut

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The Wicker Man (1973)

What editions are available?

  • Theatrical Cut (88 min.)
  • Director’s Cut (100 min.)
  • The Final Cut (93 min.)

The British horror classic The Wicker Man (no, not the one with Nicolas Cage) has been released in many different cuts but only three of them have arrived on DVD and Blu-ray. Director Robin Hardy was reportedly forced to cut his original cut of the film which didn’t sit well with the director nor the film most recognizable star Christopher Lee. Hardy then restored those missing scenes and presented them in the director’s cut. But in 2013 Hardy introduced The Wicker Man: The Final Cut which may or may not be the last time we see this cult classic released. Hardy said the following about 2013 cut during an interview with HeyUGuys:

“I could spend the next five minutes telling your all about the versions without being able to name them probably accurately. Well, this version, is the version that I like. It contains all the really important scenes, sequences to make the story work, I think. It contains some afterthoughts which I think most directors have about films they make… it’s the film as we originally intended it.”

Source: Robin Hardy Interview – The Wicker Man, HeyUGuys

The director’s preferred edition: The Final Cut

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The Hangover (2009)

What editions are available?

  • Theatrical Cut (100 min.)
  • Unrated (108 min.)

The Hangover was one of the biggest surprises of 2009 and since then it has spawned two sequels. The Hangover is the only one of the trilogy that was released in an longer cut on home video. That’s due to the fact that the director Todd Phillip was quite unhappy with Warner Bros releasing the unrated cut, and he even involved the Director’s Guild of America. Phillips talked about it at South by Southwest in 2011:

“Warner Bros., they’ll make your movie; your movie does well, and they want to create an unrated version, which is entirely against DGA rules because it’s not your cut. And they can’t call it the ‘Director’s Cut’ — they’ll call it ‘Unrated’ or some ridiculous term. Really all it is, is about seven minutes of footage that you cut out of the movie for a reason.”

Source: SXSW: Todd Phillips Lambastes Warner Bros. Over Hangover Uncut Edits: ‘That Won’t Happen Again’, Movieline

The director’s preferred edition: Theatrical

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Lust, Caution (2007)

What editions are available?

  • NC-17 Theatrical Cut (159 min.)
  • R-Rated DVD Cut (159 min.)
  • Chinese Cut (141 min.)

The WWII drama-thriller Lust, Caution is only a one of a handful NC-17 rated films that have been released in theaters in the United States. The Ang Lee directed film was produced by Focus Features, a subdivision of Universal and was subsequently released on DVD by Universal where it was released in two different editions: “Original NC-17 Theatrical Film” and “R-Rated Film Not Seen In Theaters”. The reason for the two cuts can be explained by the simple fact that Blockbuster Video, then the biggest rental stores in the US, didn’t carry films rated NC-17. The difference between the cuts are approximately 40 seconds.

When the MPAA issued Lust, Caution the NC-17 rating, Focus Features issued a statement addressing the rating:

“As with so many of his previous films, Oscar-winning director Ang Lee has crafted a masterpiece about and for grown-ups. Focus Features accepts the MPAA’s NC-17 rating without protest and ‘Lust, Caution’ will be released this fall as previously announced.”

Source: Schamus: “Lee has crafted a masterpiece about and for grown-ups”, IndieWire

In 2007 Time interviewed Lee:

Did you ever consider altering your film to avoid the NC-17 rating?

When I was making it, I didn’t really care. After the film was done, [Focus Features CEO] James Schamus explained to me what NC-17 means, the distribution, the advertisement, what you’re gonna lose. He explained it and that was that. He never said anything else. Everybody at Focus got kind of excited about taking on the battle. They kept saying this year we have other films that will make money.

Source: Q&A with Ang Lee, Time

The director’s preferred edition: NC-17 Theatrical Cut

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King Arthur (2004)

What editions are available?

  • Theatrical Cut (126 min.)
  • Director’s Cut / Extended Unrated Version (141 min.)

During mid-production of the intended R-rated King Arthur the producers had a change heart and decided that the movie should aim at the considerably less bloody PG-13 rating. Director Antoine Fuqua is known for his R-rated movies had to change his style and abandon the footage that was already in the can. King Arthur was released When the director’s cut was originally released on DVD Faqua had the following to say about the newly minted cut in an interview with DVDTalk.com in 2004:

DVDTalk: What lead to the decision to release King Arthur as a Director’s Cut?
Antoine Fuqua: Jerry [Bruckheimer] and those guys are trying to stay true to what I signed on for, and they had promised me that early on. When I first signed on to the movie it was to shoot an R movie, and then half way through it – that changed, for all sorts of reasons. Obviously it’s always money…That was very difficult for me and I had a tough time adjusting to that. I had to change a lot of my shooting style that I had set up because it just wouldn’t have been possible to do certain things and get a PG-13 rating, just because it would have been more graphic. Like I said, tonally, I had a whole different mindset. So once that happened, while I was filming, it made it difficult. Jerry Bruckheimer promised me that he’d get a version out on DVD that would be closer to what I wanted.

Source: Antoine Fuqua – King Arthur, DVDTalk

Three years later, in 2007, Capone of Aint It Cool News interviewed Faqua where they talked about the director’s cut where he suddenly changed his mind about the cut:

Capone: One of the most famous instances of conflicts you’ve had with a studio centered on your work on KING ARTHUR, in which the folks at Disney insisted that your pare it back to get a PG-13 rating after you’d prepped for an R-rated blood bath. I guess the promise was that you’d get to put out an unrated “director’s cut” on DVD. Are you satisfied with the “director’s cut” that’s out there?
Antoine Fuqua: No, no, not at all. Because you never really get that chance. Once you’re out of that editing bay, you’re out of there. Everything else is out of your hands. It becomes marketing, selling product. It has nothing to do with you anymore. They’ll sell you and use your name to say “director’s cut.” But not really, hell no.
Capone: Did you have any input into that cut?
Antoine Fuqua: No, barely. And my input was almost impossible because during the finishing of your movie, you’re still supposed to have a director’s cut. How are you going to do that when you’re still finished the movie that you have to put out. If it’s a PG-13 and that’s what you have to cut, when do you find the time–you barely sleep anyway–to do a director’s cut? A director’s cut would have to be something you could do when you step away from the movie for a minute, and get all the material together, and go back and have a full cutting session with your editor. That’s a director’s cut. And being allowed to shoot the damn footage for a director’s cut. When you’re told you can’t even shoot that kind of footage to start with, then what’s the point anyway?

Source: Capone With Antoine Fuqua About SHOOTER, The KING ARTHUR Non Director’s Cut, Casting TRAINING DAY, & Much More!!, Aint It Cool News

The director’s preferred edition: In a way, neither

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Nightbreed (1990)

What editions are available?

  • Theatrical Cut (102 min.)
  • The Cabal Cut (144/145 min.)
  • Extended VHS Cut (159 min.)
  • Director’s Cut (120 min.)

Clive Barker’s Nightbreed was drastically cut by 20th Century Fox when it was released theatrically in 1990. For many years fans asked and pleaded to writer-director Clive Barker to release his director’s cut of the film. And it finally happened in 2014 when Shout Factory released it on Blu-ray and DVD with wealthy extras. Originally Shout Factory promised to include an 144/145 minute long cut of the film called The Cabal Cut but it didn’t come to fruition. A 159 minute long cut of the film on VHS has also surfaced but has not been released on any form. The theatrical cut of the film was released on the original Blu-ray release from Shout Factory in an limited edition set. The theatrical cut is available on DVD from Warner Bros Archives.

The director’s cut of Nightbreed on Blu-ray from Shout Factory includes intro with Barker and Mark Miller, the restoration producer of the director’s cut where they state the following:

Mark Miller: We’re here to bring you for the very first time the director’s cut of Nightbreed.
Clive Barker: I made a movie some twenty years ago called Nightbreed which was based upon a novel, a short novel I wrote called Cabal. And unfortunately it got a lousy handling with the studios who didn’t like really the fact that I was making a movie about a monsters that were heroes. And that was the whole point of the movie but unfortunately when it was gutted and taken out to an audience in a really messed up form nobody was able to really understand the whole passion, the driven, the making of the movie was. So few years ago, I said to this man, “you know it would be really nice if we could find the missing pieces and put it back together again.”

Later in the intro Barker talks about the difference between the cuts:

Clive Barker: … we have 40 minutes of footage that was not in the original picture, the movie is only 20 minutes longer but that’s because there has been replacement of some footage and the addition of another 20 minutes of footage. So total of 40 minutes. Isn’t that right?
Mark Miller: That right.
Clive Barker: That’s a lot of footage.
Mark Miller: It’s an entirely new film
Clive Barker: It’s an entirely new film.

Source: Introduction by writer/director Clive Barker and restoration producer Mark Alan Miller on the Nightbreed: The Director’s Cut Blu-ray

The director’s preferred edition: Director’s Cut

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